Sunday, 23 November 2014

Film Review: Latest 'Hunger Games' film is drawn-out affair


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If it worked for “Harry Potter” and “Twilight,” it was inevitable that Hollywood would stretch the final installment of author Suzanne Collin’s wildly successful dystopian “Hunger Games” trilogy into two films. Opening this week is “The Hunger Games: Mockingjay — Part 1” with “Part 2” due for release next year.
But what made the first two films — “The Hunger Games” and “The Hunger Games: Catching Fire” — so kinetic and dynamic seems to have slowed to a stall in the stretched out “Mockingjay.”
This time the girl on fire Katniss Everdeen (Jennifer Lawrence), after literally shattering the games forever in the incendiary finale of “Catching Fire,” has been rescued and awakens in District 13, a secret underground bunker of rebels led by the stoic President Coin (Julianne Moore in her first “Hunger Games” appearance). After rising from slave to hero with skill and determination during the heart-stopping gladiator events of the last two films, Katniss is now the mobilizing symbol of rebellion. 
It’s a fact that the resistance — with a brain trust that includes strategist Plutarch (Philip Seymour Hoffman), computer hacker Beetee (Jeffrey Wright), a clean and sober Haymitch (Woody Harrelson) and Effie Trinket (no longer wigged out but a fatigues wearing Elizabeth Banks) — knows only too well. They propel a reluctant Katniss into a series of propaganda videos and on-camera visits to the war-torn frontline of Panem as it is being systematically decimated by the Capitol, led by the snide President Snow (Donald Sutherland).
Snow has hatched his own plans, kidnapping Peeta (Josh Henderson) and brainwashing him to denounce Katniss and urge for a cease-fire while the masses huddle around the TV screens that permeate everywhere. The betrayal devastates Katniss who continually wrestles with her emotions not only toward Peeta, but the devastation she unwittingly creates as many are massacred as they defy the Capitol to support her.
The political messages are even more overt in this installment with themes of suppression, media manipulation and ground-level rebellion barely disguised in this futuristic fable. (Interestingly, the film itself is apparently inciting rebellion with five Thai University students arrested this week for flashing the franchise’s signature three-finger salute at the country’s Prime Minister. A theater chain there pulled its release.)
Inciting real rebellion may not have been the producers’ intent, but on a shear entertainment level the first two films were an adrenaline rush of outdoor kill-or-be-killed competition, and addictive excess. (Gone are the powdered wigs and heavy make-up.) “Mockingjay” seems stifled in comparison, set mostly in a claustrophobic, grim and colorless bunker. 
Even Katniss seems sidelined here. She barely raises her arrow as she is dressed as a Joan of Arc-style figure, awkwardly filming scripted political messages. She seems far more pawn than feisty victor in this film. Even a daring rescue in the last scenes of the movie (a mere halfway point in the book), she is not participant but merely watches on a screen as the event unfolds. This is just a drawn-out precursor to what awaits in the finale, but we’ll have to wait an entire year to see that.
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Saturday, 22 November 2014

Listen to Jennifer Lawrence Sing in the New ‘Hunger Games’


Jennifer Lawrence Song 'Hunger Games: Mockingjay'

Jennifer Lawrence was reportedly so worried about singing this sorrowful tune in “The Hunger Games: Mockingjay, Part 1,” she cried the day of the recording.
“She’d probably tell you it was her least favorite day,” director Francis Lawrence said in an interview. “She was horrified to sing, she cried a little bit in the morning before she had to sing.”
Judging by the recording, however, the Oscar-winner sounds like a natural
The song, called “The Hanging Tree,” was composed by James Newton and the Lumineers, and is featured in the new Lionsgate film.

Bill Cosby’s legacy, recast: Accusers speak in detail about sexual-assault allegations

They didn’t see a comedian. They saw the “king of the world.”
Long before there was a Dr. Cliff Huxtable, before rumpled sweaters and a collective anointing as America’s dad, Bill Cosby was magnified a hundredfold in the eyes of the young models and actresses he pulled into his orbit. For them, he embodied the hippest of the 1960s and ’70s Hollywood scene, a mega-star with the power to make somebodies out of nobodies.
He partied with Hugh Hefner and was a regular at the magazine mogul’s Playboy Mansion bacchanals. He co-owned a restaurant and hit the hottest clubs. He sizzled.
Those wild, largely forgotten days clash with the avuncular image that has been Cosby’s most enduring impression on American culture. And they have been jarringly cast in a wholly different light as a torrent of women have told — and in some cases retold — graphic, highly detailed stories of alleged abuse by Cosby.
Sixteen women have publicly stated that Cosby, now 77, sexually assaulted them, with 12 saying he drugged them first and another saying he tried to drug her. The Washington Post has interviewed five of those women, including a former Playboy Playmate who has never spoken publicly about her allegations. The women agreed to speak on the record and to have their identities revealed. The Post also has reviewed court records that shed light on the accusations of a former director of women’s basketball operations at Temple University who assembled 13 “Jane Doe” accusers in 2005 to testify on her behalf about their allegations against Cosby.
The accusations, some of which Cosby has denied and others he has declined to discuss, span the arc of the comedy legend’s career, from his pioneering years as the first black star of a network television drama in 1965 to the mid-2000s, when Cosby was firmly entrenched as an elder statesman of the entertainment industry, a scolding public conscience of the African American community and a philanthropist. They also span a monumental generational shift in perceptions — from the sexually unrestrained ’60s to an era when the idea of date rape is well understood.
The saga of the abuse allegations is set in locales that speak to Cosby’s wealth and fame: a Hollywood-studio bungalow, a chauffeured limousine, luxury hotels, a New York City brownstone. But it also stretches into unexpected places, such as an obscure Denver talent agency that referred two of Cosby’s future accusers to the star for mentoring.
The allegations are strung together by perceptible patterns that appear and reappear with remarkable consistency: mostly young, white women without family nearby; drugs offered as palliatives; resistance and pursuit; accusers worrying that no one would believe them; lifelong trauma. There is also a pattern of intense response by Cosby’s team of attorneys and publicists, who have used the media and the courts to attack the credibility of his accusers.
Martin Singer, an attorney for Cosby, issued a statement Friday defending his client and assailing the news media.
“The new, never-before-heard claims from women who have come forward in the past two weeks with unsubstantiated, fantastical stories about things they say occurred 30, 40, or even 50 years ago have escalated far past the point of absurdity,” he said. “These brand new claims about alleged decades-old events are becoming increasingly ridiculous, and it is completely illogical that so many people would have said nothing, done nothing, and made no reports to law enforcement or asserted civil claims if they thought they had been assaulted over a span of so many years.
“Lawsuits are filed against people in the public eye every day. There has never been a shortage of lawyers willing to represent people with claims against rich, powerful men, so it makes no sense that not one of these new women who just came forward for the first time now ever asserted a legal claim back at the time they allege they had been sexually assaulted.
“This situation is an unprecedented example of the media’s breakneck rush to run stories without any corroboration or adherence to traditional journalistic standards. Over and over again, we have refuted these new unsubstantiated stories with documentary evidence, only to have a new uncorroborated story crop up out of the woodwork. When will it end? It is long past time for this media vilification of Mr. Cosby to stop.”
During an interview on Friday with Florida Today, Cosby said: “I know people are tired of me not saying anything, but a guy doesn’t have to answer to innuendos. People should fact-check. People shouldn’t have to go through that and shouldn’t answer to innuendos.”
If his accusers are to be believed, the earliest allegations against Cosby remained hidden for decades, private artifacts of an era when women were less likely to publicly accuse men they knew of sexual misdeeds and society was less likely to believe them. But they have flared periodically throughout the past nine years, both because of changing attitudes and, particularly over the past month, because of social media’s ability to transform a story into a viral phenomenon almost impossible to suppress or control.
The allegations represent a stunning reshaping of Cosby’s legacy. Cosby built his fame on a family-friendly comedic persona. He has lectured black youths about proper behavior. He has been honored with a Presidential Medal of Freedom and been lauded for making the largest donation ever by an African American to a historically black college, Spelman College in Atlanta.
But since the avalanche of accusations this month, there has been mostly thundering silence from his longtime allies. An exception is Weldon Latham, a prominent Washington attorney and Cosby friend. He noted in an interview with The Post that his friend has never been charged with a crime and wondered whether “some of the women coming out now, seem to be making it up.”
“What you’re hearing is clearly not the entire truth, and how much of it is true, you have no idea,” Latham said.
“I’m pained,” said Virginia Ali, owner of Ben’s Chili Bowl on U Street in Washington, which Cosby has frequented since he was 21. “He has been part of the family for many, many years. I’ve always found him a very kind, generous person. I like to say he shares his humanity.”
The influential producers of “The Cosby Show,” the ’80s sitcom that made Cosby famous as a family man, issued a brief statement. “These recent news reports are beyond our knowledge or comprehension,” Marcy Carsey and Tom Werner said Thursday.
Cosby was on the verge of what appeared to be a comeback this year, butprojects scheduled for NBC and Netflix have been postponed or canceled in the fallout. Several of Cosby’s upcoming comedy shows have been canceled, but when he took the stage Friday in Melbourne, Fla., he received a standing ovation from the sold-out crowd.

Watch Beyoncé's new '7/11' video

IMAGE DISTRIBUTED FOR PARKWOOD ENTERTAINMENT - Beyonce and JAY Z perform during the Beyonce and Jay Z - On the Run tour at Stade De France on Friday, Sept. 13, 2014, in Paris, France. (Photo by Rob Hoffman/Invision for Parkwood Entertainment/AP Images)



What's up with Beyoncé?
On Wednesday, she released (or someone, perhaps her, leaked) two new songs, "7/11" and "Ring Off," to preview next week's release of a deluxe version of her 2013 album, "Beyoncé." Her web site currently has portions of both songs, presumably to generate buzz for next week's release.
On Friday, she released what appears to be a low-budget video of "7/11." Beyoncé being Beyoncé, her low-budget video appears to have been filmed in a high-rise penthouse, but why quibble over details?
A dance-happy song, "7/11" boasts such happy-go-lucky lyrics as: "Foot down," "hands up," "shoulders sideways," "legs movin' side to side," "clap, clap, clap like you don't care" and "smack that, clap, clap, clap like you don't care." It's the most pro-clap song we can recall in years.
"7/11" concludes with Beyoncé boasting: "I'm fresher than you, fresher than you."
That, no doubt, she very likely is. But enough clap talk. Here for your viewing pleasure is Beyoncé's new video.

Watch Beyonce's no-frills, no-pants video for '7/11'

BEYONCE-VIDEO.jpg
In case you somehow didn’t hear, Beyonce, the woman who managed to keep an entire album and its 17 videos under lock and key last year, had two songs—”7/11″ and “Ring Off”—leak in one week. But instead of throwing a fit, she’s handed us a video for “7/11″ early. It’s not exactly the glossy, Beyonce-esque production we’ve come to expect, but it’s just as fun to watch.
Instead, “7/11″ is playful and casual – playing out like that time you and your cousins were bored on vacation and figured, Hey, why not make a music video?  The entire clip seems to be shot from some  hotel room somewhere, and was most likely done in a single afternoon. Instead of stilettos, Bey wears a lot of frumpy sweatshirts, some bath robes, and, for about 85 percent of it, no pants.

New Beyonce video '7/11' rocks the Web

Queen Bey still reigns. The release of a chart-topping secret album and a highly successful joint tour with husband Jay Z helped Beyonce maintain her top spot on the list for the second year in a row. She made $115 million.

(CNN) -- Social media is all abuzz with the latest video from the Queen B herself -- Beyonce.
It's a silly little dance ditty called "7/11."
It's Bey and some "girlfriends" prancing in and around a high-rise -- mostly in their underwear -- vamping for the camera.
It's a low-budget affair, but still scoring big with her fans.
So, what's the occasion?
Beyonce has a new album coming out on Monday, giving the video all weekend to generate interest and presumably sales.
It's really not even a new album. It's a platinum edition of 2013's "Beyonce." A few extra songs and a higher price tag.
Top earning woman
Beyonce is good at raking in the cash.
The superstar singer has topped the Forbes list of the top-earning women in music for the second in a row.
In the list released earlier this month, Beyonce earned an estimated $115 million for 2014, more than doubling 2013's $53 million, which topped last year's list.
"Beyonce played 95 shows during our scoring period, bringing in an average $2.4 million per city," Forbes reports. "She added endorsement deals from the likes of H&M and Pepsi -- plus her self-titled surprise album, which hit iTunes in December 2013 and quickly became one of the year's top sellers -- to send her income into nine-figure territory."
Taylor Swift came in second with $64 million in earnings. Pink ranked No. 3 with $52 million, followed by Rihanna with $48 million and Katy Perry with $40 million.
Forbes bases its list on calculating income from record and merchandise sales, touring, endorsements, publishing and other ventures, without deducting for management and/or attorney fees.

Bill Cosby's lawyer describes sex assault claims as ‘fantastical

Bill Cosby, whose show Bill Cosby 77 has been postponed on Netflix

A lawyer for Bill Cosby has criticised the media for reporting the “absurd” allegations made by women claiming to have been sexually assaulted by the comedian.
Martin Singer, in a statement released on Friday, said news organisations should stop vilifying the star and described claims made by accusers as “fantastical”.
A statement issued on Friday by Cosby's lawyer, Martin Singer, in response to allegations of sexual assault against the comic:
"The new, never-before-heard claims from women who have come forward in the past two weeks with unsubstantiated, fantastical stories about things they say occurred 30, 40, or even 50 years ago have escalated far past the point of absurdity.
“These brand new claims about alleged decades-old events are becoming increasingly ridiculous, and it is completely illogical that so many people would have said nothing, done nothing, and made no reports to law enforcement or asserted civil claims if they thought they had been assaulted over a span of so many years."
Some of the women accusing Cosby are going public again after initially coming forward around 2005, when Andrea Constand filed a civil suit alleging that she was sexually assaulted by him.
Another woman, Joan Tarshis, decided to tell her story publicly for the first time on Monday.
Now 66, Ms Tarshis said Cosby gave her drug-laced drinks twice in 1969, forcing her to perform a sex act the first time and raping her the second time.
She said she told no one about this for decades, and only decided to go public when she read a Nov. 13 column in The Washington Post by Barbara Bowman, who alleges she was drugged and raped by Cosby when she was 17.
The Pennsylvania woman's lawyer said other women were prepared to make similar claims, but the case was settled before trial.
As Cosby's stand-up tour crumbled with shows canceled in six states, the embattled entertainer took to the stage on Friday in Florida to a standing ovation from a sold-out crowd.
Performances in Oklahoma, Nevada, Illinois, Arizona, South Carolina and Washington State, though, were called off as more women come forward accusing the entertainer of sexually assaulting them many years ago.
“Lawsuits are filed against people in the public eye every day.” the statement said. “There has never been a shortage of lawyers willing to represent people with claims against rich, powerful men, so it makes no sense that not one of these new women who just came forward for the first time now ever asserted a legal claim back at the time they allege they had been sexually assaulted.
“This situation is an unprecedented example of the media's breakneck rush to run stories without any corroboration or adherence to traditional journalistic standards. Over and over again, we have refuted these new unsubstantiated stories with documentary evidence, only to have a new uncorroborated story crop up out of the woodwork. When will it end?
“It is long pasttime for this media vilification of Mr Cosby to stop."